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		<title>Light Opera Oklahoma</title>
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		<copyright>Copyright 2012, Christina</copyright>
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			<title>2008: A REVIEW</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry090119-103312</link>
			<description><![CDATA[The year&#039;s best, worst and most surprising exhibitions and performances. Plus, a look ahead to 2009<br /><br />By Holly Wall<br /><br />Because we&#039;re in the midst of Urban Tulsa&#039;s annual Best and Worst issue, I thought we could recap the year&#039;s best and worst art exhibitions and theatre performances.<br /><br />To be honest, we&#039;re focusing mainly on the best. There were some low points in the season for sure, but, for the most part, the work performed and exhibited was really, really good. Like it is every year. Like we expect it to be. Like it&#039;s known to be.<br /><br />If you realize, as we recap this year&#039;s events, that there are a few you&#039;ve missed out on, take note. We&#039;ve seen what will come in 2009. So, take note of which companies and galleries are producing the really stellar, really revolutionary work, and put them on your list to watch in 2009.<br /><br />Best Theater Productions of the Year<br /><br />Big Budget: Light Opera Oklahoma&#039;s Candide. The show, an operetta based on Voltaire&#039;s work by the same name, set to music by Leonard Bernstein, satirizes warfare, religion and hypocrisy. All that, played out by a precisely adept company and orchestra, made for one of the best shows of the year.<br /><br />Low Budget: Heller Theater&#039;s Recent Tragic Events. Directed by Frank Gallagher, the play describes a few hours in two young Minnesotans&#039; lives one day after September 11. What could have been a maudlin two hours at the theater was actually, surprisingly, both riotous and poignant. We credit that to good acting and good direction. And it&#039;s what we&#039;ve come to expect from the folks at Heller.<br /><br />No Budget: Just about everything performed at the Nightingale Theater is guaranteed to be produced on a shoestring budget and, at the same time, to be really, really good.<br /><br />People Who Made Us Proud to Be Oklahomans... Sort Of: Tracy Letts. Letts&#039; Pulitzer and Tony award-winning drama August: Osage County took Broadway by storm, proving that a play coming out of Oklahoma can be smart and provocative and not riddled with merry tunes about wind sweeping down the plain. This play, deserving of all of the merit it&#039;s received and perhaps more, could actually change the way people across the nation perceive Oklahomans. We hope, though, it&#039;s because they recognize the magnitude of talent that comes from our state and not because they think we&#039;re all suicidal drug addicts who come from dysfunctional homes.<br />]]></description>
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			<author>Christina</author>
			<pubDate>Mon, 19 Jan 2009 16:33:12 GMT</pubDate>
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			<title>The Sopranos at LOOK</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080428-101541</link>
			<description><![CDATA[The best of all possible worlds . . . Candide, Pirates, and good friends...<br /><br />Forgive my lack of eloquence but I am not blog savvy and have no idea what is best said and not said!!  I will start by saying I am thrilled to be a part of the LOOK 2008 season and I am eager to get to Tulsa and start working.  <br /><br />My dear friend Brian Cheney e-mailed me sometime last season and said, “Hey, wanna audition for a production of Candide?”  Naturally I thought for less than a nanosecond before replying “YES.”  Glitter and Be Gay was the first aria I learned in college and from that moment, I was hooked, and have been patiently waiting to do the entire role of Cunegonde.  From what I have read in my colleagues’ blogs, we are all eager to do a production of Candide and I believe that can only enhance the experience for the cast and audience alike.  <br /><br />Now, as for Gilbert &amp; Sullivan, who doesn’t like a little Pirates of Penzance in the summer?  Like many of my colleagues, G &amp; S has been a regular part of my life since embarking on a singing career.  Eric’s concept for this production is intriguing and refreshing and I think we are all in for a some fun!<br /><br />I look forward to seeing you all very shortly.  <br /><br />Diana McVey<br />]]></description>
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			<author>Christina</author>
			<pubDate>Mon, 28 Apr 2008 15:15:41 GMT</pubDate>
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			<title>A word about Candide from Candide</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080425-100756</link>
			<description><![CDATA[I&#039;M COMING BACK TO TULSA! I am so thrilled to be back in a town where the people are all so wonderful. OK, first of all, I have never blogged in my life. But here goes! <br /> <br />I am really excited to be back performing with LOOK again this summer. There are many reasons but the most meaningful for me is to have an opportunity to perform my first Candide. Not only is the music some of the most glorious ever written for musical theater, but the version that Eric has chosen is perfect for LOOK. My best friend and mentor, Jerry Hadley, worked very closely on this piece with his mentor, Leonard Bernstein. Candide was the last role I learned from Jerry before he died and I feel so lucky to have that first hand knowledge on how Bernstein wanted the role to be sung. So I am thrilled to be doing it! <br /> <br />I also have to say that I feel so fortunate to be working with such phenomenal colleagues this season. Not only will these productions look great but they will sound amazing. <br /> <br />So folks, hold on to your hats because we are going to blow you all away this summer! Ok, now back to memorizing my lines...how did I do?<br /><br />Brian Cheney]]></description>
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			<author>Christina</author>
			<pubDate>Fri, 25 Apr 2008 15:07:56 GMT</pubDate>
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			<title>Ron Loyd:  I AM that crazy man in the street</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080424-113057</link>
			<description><![CDATA[We have all seen him. That perfectly normal looking gentleman who is  <br />walking down the street, riding the subway, or having coffee while  <br />holding on a seemingly lengthy conversation with absolutely no one!  <br />Well gentle readers, as the LOOK season approaches, I am that man. As  <br />I sat on the subway today, I noticed a small child looking at me with  <br />a mixture of horror/amusement/befudlement. Did I have something on my  <br />face? Was I having a bad hair day? Alas, no. She was merely reacting  <br />to my muttering, raising of eyebrows, and tear-laden eyes. Surely she  <br />feared for her life. Little did she know that I was merely running my  <br />lines for Into the Woods. Something I have been doing a lot these  <br />last weeks. How many others have I scared off I wonder? I hardly  <br />realize it anymore. It is these &quot;crazy in the street&quot; moments that I  <br />come up with my best ideas of how to play a scene.<br /><br />And what scenes there will be! I am so excited about this season at  <br />LOOK. The 3 mainstage shows are all shows that I have been itching to  <br />do and the casting is fantastic. The LOOK ensemble is like a family  <br />and I am looking forward to seeing many familiar faces and getting to  <br />know some new ones. The process of putting up a show is a crazy time  <br />of trying out all those different ways of delivering lines you dreamt  <br />up while mumbling through the City streets. Some work from the start  <br />and some, well, need more thought. Regardless, diving into a new  <br />character is a wonderful process of searching your memory and soul  <br />for moments that you can call upon to help tell your story. For &quot;Into  <br />the Woods&quot; the connections are pretty clear for me; I have loved this  <br />show since a teen and relate to many of the issues that The Baker and  <br />his Wife will face. In Candide, I look forward to the challenge of  <br />playing three separate roles and making them all completely different  <br />from one another. For the Pirate King, I am filling my &quot;actor&#039;s  <br />toolbox&quot; with everything from classical interpretations, thoughts of  <br />accents, and images of Johnny Depp in Pirates of the Caribbean in  <br />preparation for LOOK&#039;s imaginative updating to modern day piracy! A  <br />special treat for me in Pirates is to be able to work with my long  <br />time best friend Melissa Parks as Ruth! We have both performed all  <br />over the US but rarely have the chance to perform together! I know  <br />that LOOK audiences with love her!<br /><br />But for now, I am putting in my earphones and hitting the streets as  <br />I have more lines to learn! But in parting I offer a plea; for the  <br />next few weeks when you catch a glimpse of someone talking to  <br />themselves at Panera, don&#039;t be frightened! It may merely one of the  <br />LOOK family! We are harmless creatures. But feel free to leave money,  <br />if you wish!<br /><br />Ron Loyd<br />]]></description>
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			<author>Christina</author>
			<pubDate>Thu, 24 Apr 2008 16:30:57 GMT</pubDate>
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			<title>Words from a mezzo from Manhattan</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080424-112337</link>
			<description><![CDATA[I am really looking forward to my time in Tulsa.  Firstly,a bit of a selfish reason, because I am originally from Texas and it will be very easy for friends and family to come and see me perform.  Secondly, because I have been absolutely DYING to do a production of Candide!  I have been a fan of this piece for as long as I can remember and the timing just hasn&#039;t worked out for me to do a production. I am also a great fan of Gilbert and Sullivan and have performed in almost all of their works.  Pirates is an absolute favorite of mine and it sounds as if Eric has a very innovative and creative vision for this production.  I am always up for that!  And Into the Woods?  Well, how often does an opera chick get to sing Sondheim?  The answer is: not nearly enough!!  Lastly, and perhaps the most selfish reason of all, I will get the opportunity to sing with one of my greatest friends in the world, Ron Loyd.  Ron and I attended college together and became fast friends.  Since that time we have both endeavored on a career in the arts and our journeys have taken us many places but very rarely the same place at the same time!  It will be our first productions together since our collegiate days.  I look forward to seeing you all at the theatre!<br /><br />Melissa Parks]]></description>
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			<author>Christina</author>
			<pubDate>Thu, 24 Apr 2008 16:23:37 GMT</pubDate>
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			<title>More words of wisdom from the cabaret lady</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080424-112152</link>
			<description><![CDATA[Following the success of Trial by Jury last summer, LOOK is producing multiple versions of Oh, Coward!  Originally conceived as a revue of Noël Coward’s witty dialogue and clever lyrics, we’re taking the various pieces and putting them together in different ways for each evening’s performance.  Fortunately Coward wrote a lot of material, so every show will have unique music and scenes presented – make sure you catch all four!  <br /><br />Oh, Coward! will be preceded by different opening acts each week.  Eric Gibson and Cathy Venable have agreed to re-mount their “I Love A Piano” cabaret from 2006; Jenna Harris and Kyle Dougan are putting together a collection of recent, off-beat musical theater with other members of the ensemble; and I’ll be performing a cabaret that you, the audience, will help write!  How will that work?  You’ll have to come and find out…but by the time we’re done, you’ll be able to create your own performance of love songs and black humor.<br /><br />Stay tuned to find out more about these intriguing evenings…<br /><br />Andrea Leap<br />]]></description>
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			<author>Christina</author>
			<pubDate>Thu, 24 Apr 2008 16:21:52 GMT</pubDate>
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			<title>A few words from the Artistic Director as we prep the upcoming season!</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080423-164929</link>
			<description><![CDATA[Some random thoughts from the Artistic Director.This is an interesting season indeed, and it may very well live up to be “The Best of All Possible Seasons” as our 2008 tag line states.  <br /><br />I have always wanted to do a season that tied all three shows together with a thematic concept, a design concept or a casting thread.  I think we are accomplishing that this season, certainly with the stage designs that I have seen so far.  Central to the physical productions will be a large pie-shaped platform that lives in the center of the Williams Theatre stage.  It will break apart; think of it like a large Trivial Pursuit game piece, but with the ability to make different shapes, creating various environments on the stage.  It is also slightly raked, so it will be fun for the actors to climb all over, and with a simple pull of a handle, stairs will pop out of the sides.  It is going to be very interesting and challenging to put it all together.<br /><br />From what I can tell, the singers seem to be most excited about Candide, probably because it is so rarely done.  For many of them, it is their first staged production of the piece.  Most of the younger apprentices have leading roles in Into the Woods, so it will be exciting for me to work with all of these budding talents on this phenomenal Sondheim piece.  Certainly one of the best productions we’ve done recently was last season’s Sweeney, and I think it is a certain commitment that Sondheim’s work draws out of an actor.  People love to perform in his shows!<br /><br />Candide has had an interesting journey for me.  I initially thought LOOK wasn’t going to do it at all because it conflicted with another production, but when that hurdle was cleared, we went for it.  Candide has been revisited, rewritten and retooled many times after an initial, tepid premiere on Broadway in the 50s. We landed on a version that was produced by the Scottish Opera and directed by Jonathan Miller in the 80s.  However when I took a more extensive look at the script and read more about the 1973 Chelsea version produced by Harold Prince, I had serious, horrible second thoughts about my choice.  Choosing Candide was a risk anyway, and to do the wrong version would be a huge mistake.  Both for the company and for the audience.<br /><br />So, after much discussion with the actors, James Bagwell and the LOOK staff, we did land on the Chelsea version to produce at LOOK and I’m very happy about it.  I just saw Candide at New York City Opera on Friday night, and although they produce the fuller opera house version with more of the music intact, the scripts are very similar.  LOOK alum Kyle Pfortmiller was Maximillian and the production was very zippy as it was originally directed by Harold Prince.  It was a fantastic evening.  The only thing was that even this version seemed to kind of slow down (just slightly) in Act II.  Those are the scenes cut from the Chelsea version – so I really know now that I picked the right script!<br /><br />We are busily prepping Candide (and Woods and Pirates of course) and we hope you enjoy this best of all possible seasons!  Enjoy the blog – we’ll talk to you later!<br />Eric<br />]]></description>
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			<author>Christina</author>
			<pubDate>Wed, 23 Apr 2008 21:49:29 GMT</pubDate>
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			<title>As I look outside my office...</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry080417-143902</link>
			<description><![CDATA[As I look outside my office and see the still-bare trees (spring seems to arrive on the East Coast as I arrive in Tulsa), it is hard to imagine that rehearsals begin in less than a month.  Summer in Tulsa has become so much a part of my routine that I when I do finally land there, I feel as though I have not left, but that my life and work in New York and Cincinnati are obscure memories.  I even think that I may have left a shirt at the dry cleaners at Utica Square, thinking that I would pick it up tomorrow, the result of over-caffeinating at “the” Starbucks and forgetting where I was.       <br /><br />In preparing for rehearsals there is a great deal of mundane behind-the-scenes work that must be done: orchestra scores must be studied and marked, tempos must be decided, and Eric and I have many discussions about such issues as pacing (always pacing) and how to deal with transitions in a given show.  These discussions generally begin sometime in early January and will continue almost until opening night, and even beyond.  I believe that a few may still be going on.  Most of all, though, there is that wonderful anxiety of beginning something new again.  Of the three shows that we are producing, I have conducted only The Pirates of Penzance; the rest are brand new.  This is maybe the best part of my job, because in some ways learning a new score is quite close to meeting a new and (hopefully) interesting friend.  You find what you like and what you don’t like.  There is the discovery of little quirks that are endearing at first, but maybe slightly abrasive by the time you have faced them ten or twelve times.  Then there are those perfect friends: South Pacific, Sweeney Todd, and The Mikado, friends that, even if you have not seen or spoken to them in a long time, reward you with their presence.<br /><br />James Bagwell<br />]]></description>
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			<author>Christina</author>
			<pubDate>Thu, 17 Apr 2008 19:39:02 GMT</pubDate>
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			<title>A word from Andrea, the cabaret lady</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry070424-113115</link>
			<description><![CDATA[FROM LAST YEAR&#039;s CABARET Preparation:<br /><br />Hello!<br /><br />I&#039;m Andrea Leap, an artist and Ensemble Director at LOOK 2007.  Eric has <br />asked me to contribute to the LOOK blog and to explain a little about what <br />I&#039;m doing to prepare for the season.<br /><br />This year, LOOK has asked me to create four different cabaret concerts, <br />which will be paired with Trial by Jury as a double bill.  Since the season <br />centers around &quot;Men Behaving Badly,&quot; we&#039;ve chosen some relevant themes to <br />frame our cabarets:<br /><br />&quot;Women Behaving Badly&quot;<br />&quot;Let The Punishment Fit The Crime&quot;<br />&quot;There Oughta Be A Law.&quot;<br />&quot;Law &amp; Order:  Operetta Unit&quot;<br /><br />Earlier this year I received a grant to attend an arts retreat in Northern <br />Minnesota, and for the past week I&#039;ve been up here in the rural prairie <br />arranging songs, writing skits, putting ideas together - trying to do as <br />much advance planning as possible while my brain is still [relatively] <br />clear.   Of course, all the planning in the world may get thrown out the <br />window if an off-hand comment from an ensemble member inspires us to go in a <br />completely different direction.<br /><br />Tracking down the songs and ideas that we use, figuring out how they go <br />together - it has become one of the things I enjoy most about preparing for <br />LOOK.  It seems like every year I find more interesting and clever songs <br />than we can possibly use, like this one, by Tom Lehrer, called &quot;The Old Dope <br />Peddler,&quot; which has a music box sounding accompaniment:<br /><br />&quot;He gives the kids free samples,<br />Because he knows full well<br />That today&#039;s young innocent faces<br />Are tomorrow&#039;s clientele.&quot;<br /><br />Alas, I still can&#039;t find a home for that song in this season&#039;s cabarets, but <br />having found &quot;Driving in Tulsa is Driving Me To Drink,&quot; &quot;It&#039;s a Lovely Day <br />To Be Out Of Jail&quot;  and &quot;Smut,&quot; I&#039;m looking forward to other possibilities.  <br />I hope you&#039;ll come and see what we produce!<br />]]></description>
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			<author>Christina</author>
			<pubDate>Tue, 24 Apr 2007 16:31:15 GMT</pubDate>
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			<title>A little update on how things are going from Eric</title>
			<link>http://www.lightoperaok.com/blog/index.php?entry=entry070423-210244</link>
			<description><![CDATA[Well, we are only about 3 weeks away from the actors and technicians and designers arriving in Tulsa!  This has got to be one of the most exciting times here at the company.  As of right now, we have a complete cast, we just finished casting a few new folks because we lost a few people in the ensemble because (quite frankly) they got gigs they wanted to do more than LOOK!  Usually this means they get a job closer to home, or in their home town, so they can make a living while remaining around their loved ones.  We understand this, and we always try to make the best of situations for people.  One important thing to remember is &quot;it&#039;s only opera!&quot;<br /><br />There are many people I&#039;m very excited about this summer, including a plethora of new ensemble artists.  LOOK is always searching for &quot;characters&quot; on stage -- meaning people who can be a ham, or bring any type of &quot;walk-on&quot; or supporting role to life.  These people are born with a talent to &quot;grab&quot; the attention of the audience the minute they walk on the stage.  You can&#039;t teach that...you&#039;re born with it.  We have a couple of those people this summer.  There is an exciting new baritone, Peyton Crim, who is coming from Oklahoma City who is playing the &quot;fop&quot; Louis in Marietta.  I think he&#039;ll be a scream.  Returning to our stage who I think will be terrific also, are Pete Brennan, a natural ham (and from TU), and Kyle Dougan.  Both of these gentlemen will be knock-outs in Music Man, but we&#039;ll see a different side of one of them this summer too....<br /><br />Kyle Dougan is a funny man, but we&#039;re giving him the opportunity to play it serious this summer with Tobias in Sweeney Todd.  Sometimes actors get &quot;fached&quot; or &quot;typed&quot; into roles.  Kyle is very funny, but at his audition this year, he proved he could create the pathos and the sincerity needed for the young man in Sweeney who &quot;adopts&quot; Mrs. Lovett as a maternal figure in his life, and then later kills for her once our title character harms her.  It will be fascinating to work with Kyle on this show!<br /><br />LOOK has a bevy of amazing young women in the company too.  I&#039;ll talk more about them later....But suffice it to say, we have probably collected one of the best companies we&#039;ve had in years!<br /><br />Talk to you soon!  Eric<br /><br />]]></description>
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			<author>Christina</author>
			<pubDate>Tue, 24 Apr 2007 02:02:44 GMT</pubDate>
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